Off in one alcove is a thoughtful presentation of Kubrick’s use of pre-existing music to sometimes eerie, often visceral effect in films like “The Shining” and “Eyes Wide Shut.” There you’ll hear the sounds of György Ligeti’s “Atmospheres” or Krzysytof Penderecki’s “De Natura Sonoris No. Strangelove or: How I Learned to Stop Worrying and Love the Bomb,” bright white statues from the Korova Milk Bar of “A Clockwork Orange,” art department elements from “2001: A Space Odyssey” including a simian costume and the star child model, the giant, NASA-developed lens used to capture mere candle light for “Barry Lyndon” and much, much more. A brief wall with elements from the shorts and “Killer’s Kiss,” as well as a glass case featuring “The Killing” soon gives way to the first considerable presentation: 1957’s brilliant “Paths of Glory.” Twisting and turning through the exhibit you’re met with costumes from “Spartacus,” miniature models from “Dr. There is a separate room or wing dedicated to most of the features. A pair of video walls in a dark room greet you first, with clips from a number of films to get you in the right frame of mind. A touring treasure trove of artifacts from the famed filmmaker’s career that has already made stops all over the world, from Frankfurt to Berlin, Melbourne to Ghent, Zurich to Rome, Paris to Amsterdam, it has set up shop in LA through Jand is well worth the $20 admission price.Īs soon as you walk through the giant glass doors you’re met with a career spanning three shorts and 16 features, including the uncompleted “Napoleon” and “Aryan Papers,” as well as the Steven Spielberg-directed “A.I.: Artificial Intelligence,” which Kubrick developed. LOS ANGELES – If LA film lovers are looking for something to do this holiday, look no further than the Stanley Kubrick exhibition at the Los Angeles County Museum of Art.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |